KORG MS 20 SAMPLES
The MS-20 was one of Korg’s first major successful portable analog monosynths and even today it is still a great little machine! The MS-20 is the big brother to the MS-10. It is an analog two-oscillator monophonic lead and bass synth with hard wired and patchable connections. The hard-wiring can be overridden however, using patch-cords. This type of hard-wired but patchable design was similar to the ARP 2600 of the late seventies. Of course the 2600 was much bigger and better. But the MS-20 offered a lot of flexible control and great sounds at a more affordable price.
In addition to two analog oscillators, the MS-20 featured two resonant VCFs (filters), two VCAs, sample and hold, a noise generator, an assignable mod-wheel and lots of knobs! The VCF (filter) section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. External sound sources can be routed through the filter section as well. In fact William Ørbit uses the filter in his MS-20 relentlessly to filter and tweak his samples, beats, delay returns, vocals, etc.
There’s also a Pitch-CV converter for triggering sounds from external sources. Aphex Twin makes quite a bit of use of this, feeding the input stage of his MS-20s with drum sounds and other untrackable audio to get the synth to make a wide variety of crunch/squawp/screech noises by mistracking the filters, etc.
As for its sounds, the MS-20 sounds great! It makes a great alternative for Minimoog-seekers. The MS-20 is great for just about any type of analog synth sound you could want! Fat round bass sounds, percussive bass or sounds, noise effects, squiggly-bubbly sounds or sinuous-worm leads are all waiting to be unleashed from inside this classic beast. The MS-20 is not only a great sounding instrument, but a great learning-synth. It is fairly easy and intuitive to operate but in doing so you can learn and understand more about synthesis and signal-flow. It is used by William Ørbit, Aphex Twin, Hardfloor, Air, SkyLab, Stereolab, Vince Clarke, Astral Projection, Biosphere, Apollo 440, Mr. Oizo, Jimi Tenor, The Prodigy, OMD, Freddy Fresh, Luke Vibert, Einstuerzende Neubauten, Add N to (X), Daft Punk, Coldcut, Die Krupps, Skinny Puppy, Electronic Dream Planet, Jimmy Edgar, Front 242, Front Line Assembly, The Legendary Pink Dots, KMFDM, Severed Heads, Royksopp, The Faint, The Shamen, Jean-Michel Jarre, Soulwax and Portishead.
INCLUSIVE PRORGRAM FILES FOR ALL SAMPLES!!
PRE-MAPPED AND READY TO PLAY FOR:
** KONTAKT
** EXS-24
** REASON
** HALION
15 PATCHES FROM THE KORG MS-20 SYNTH
Import and play your KORG MS 20 SAMPLES!
When purchasing your KORG MS 20 SAMPLES you wont need to go through the hassle of having to drag & drop your
samples into your sampler, our samples come with pre-mapped program files for: KONTAKT,LOGIC,REASON AND HALION. This means, you can just load
the patches straight into your sampler.
THESE SOUNDS WERE RECORDED AND INDIVIDUALLY PROCESSED BY PROFESSIONAL ENGINEERS USING PRO TOOLS FOR THE BEST SAMPLE QUALITY AVAILABLE.
ALL SAMPLES ARE IN 44.1KHZ/16 BIT WAV FILES FOR ANY HARDWARE OR SOFTWARE SAMPLER THAT WORK WITH .WAV FILES.
HARDWARE & SOFTWARE COMPATABLITY
PRO TOOLS, CUBASE, CAKEWALK, ADOBE AUDITION, RECYCLE, SONAR, REASON, ACID,
EXS 24, GIGASTUDIO, SAMPLETANK, HALION, KONTAKT, WAVELAB, SOUND FORGE,
VEGAS, FRUITY LOOPS, NATIVE INSTRUMENTS, COOL
EDIT, AKAI SAMPLERS, MPC 2000, 4000, 1000. KORG
TRITON, KURZWEIL K2000, 2500, 2600, ASR10, ASR-X,
ROLAND SAMPLERS, MC 909, SP 808, MV 8000, YAMAHA
SAMPLERS, AND ANY INSTRUMENT OR PROGRAM THAT
READS WAV FILES.
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We highly suggest the use of WinRar for extracting compressed files.
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