ROLAND JUPITER 8 Vol.2 Soundfonts Sf2

ROLAND JUPITER 8 VOL.2 – SOUNDFONTS
The Jupiter-8 was Roland’s first truly professional analog synthesizer. The Jupiter-8 features 16 rich analog oscillators at 2 per voice, eight voice polyphony and easy programming! At eight voices you can get some pretty thick analog sounds. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs. The legacy of the Jupiter synthesizers is due to their unique voice architecture and design, creating sounds that were so unreal and amazing that they have to be heard! No other synths in the world can create analog sounds as cool and authentic as these.

The Jupiter-8 was the biggest and fattest of them all (Jupiters and Junos)! It was one of the first synths to allow its keyboard to be split and layered – it’s eight voices of trance heaven! Cross-mod, oscillator sync, a great LFO and a classic arpeggiator are also on-board. There’s also a killer resonant analog low pass filter, same as the Juno-6 / 60, with the added option of choosing 2-pole (12 dB/oct) or 4-pole (24 dB/oct) modes as well as a separate high-pass filter. Unfortunately for the earlier models, tuning was very unstable but that seemed to be resolved in later models. Unlike its smaller counterpart, the Jupiter-6, the Jup 8 does not feature MIDI, only Roland’s DCB sync can be found on some models. However, MIDI retro-kit’s are available from various companies. Patch presets can store keyboard splits, arpeggiator settings, voice assign mode, hold, portamento and modulation settings.

The Jupiter-8 has been used by Tangerine Dream, Orbital, Future Sound of London, Moby, Duran Duran, Underworld, Vince Clarke, Überzone, Jean Michel Jarre, Roxy Music, OMD, A Flock Of Seagulls, Depeche Mode, Rush, Meat Beat Manifesto, Banco De Gaia, Josh Wink, Thomas Dolby, Howard Jones, The Cars, Prince, Gary Wright, Jan Hammer, BT, Adrian Lee, Heaven 17, Kitaro, Elvis Costello, Tears for Fears, Huey Lewis and the News, Journey, Moog Cookbook, Toto, Yes, Devo, Freddy Fresh, George Duke, Greg Phillanganes, Jonathan Cain of Journey, Greg Johnson & Kevin Kendrick of Cameo, Stevie Wonder and Simple Minds.

35 x PATCHES FROM THE ROLAND JUPITER 8

TOP QUALITY SOUNDFONTS SF2

JUST LOAD AND PLAY YOUR SOUNDS !

When purchasing your sounds you wont need to go through the hassle of having to drag & drop your
samples into your sampler, our samples come in a SF2, this means, you can just load
the patches straight into your sampler.

Soundfonts (SF2)?

A SoundFont is a brand name that collectively refers to a file format and associated technology designed
to bridge the gap between recorded and synthesized audio, especially for the purposes of computer music
composition.

SoundFonts can work with these samplers: There are also more..see “Sampler Compatibility in our menu”

* Audigy/SBLive!
* Reason NN-XT
* Kontakt
* Halion
* EXS-24
* VSampler
* Gigasampler – Gigastudio
Orion
* FL Studio
* Live synth Pro
* SFZ Sampler

All our sample packs are royalty-free, so you can use our samples for commercial use.

“But we prohibit you to produce copies or reproductions of the work and to sell those copies”

All the Soundfont Samplers In Althabetical Order:

Ableton Live
Awave Studio
Battery from Native Instruments
Bismark BS-1
CSound
Cakewalk Products
Creative Labs SoundBlaster Sound Cards
Cubase from Steinberg
EXS24 from Apple/Emagic
Emulator X from EMU
Finale from Coda
FL Studio / Fruity Loops from Image-Line
Garage Band from Apple
GigaStudio / GigaSampler
HALion from Steinberg
Home Studio from Cakewalk
Kontakt from Native Instruments
LiveSynth Pro
Logic from Apple (with EXS24 Sampler)
Mixman Studio Pro from Mixman
QuickTime 5 from Apple
Reason (NNXT Sampler)
Recycle from Propellarheads
Sonar from Cakwalk
Translator from Rubber Chicken
Unity DS-1 from Bitheadz
Vsampler from Maz Sound Tools

Why Would I Want To Use The SoundFont Format Over The Other Types Of Sound Formats Available?

Imagine being able to share a MIDI file, complete with your own custom sound sets. With SoundFont
technology, the world can hear your music exactly the way you intended! External musical instruments
(i.e., synthesizers and samplers) can be expensive and cumbersome for the amateur musician. Software
synthesizers and samplers can drain your system’s resources, especially when using more professional
grade musical creation tools. Because SoundFont technology is hardware accelerated by the PCI-based
Sound Blaster Live! and Audigy series of sound cards, it only needs to use your computer’s RAM.
Therefore, you can use the full power of your processor for making great music!