YAMAHA DX7 Soundfonts Sf2

YAMAHA DX7 SOUNDFONTS
One of the most popular digital synths ever was the DX7 from Yamaha, released in 1983. It featured a whole new type of synthesis called FM (Frequency Modulation). It certainly is not analog and it is difficult to program but can result in some excellent sounds! It is difficult because it is non-analog and thus, a whole new set of parameters are available for tweaking, many of which seemed counter-intuitive and unfamiliar. And programming had to be accomplished via membrane buttons, one data slider and a small LCD screen.

Still the sounds it shipped with and that many users did manage to create were more complex and unique than anything before it. Percussive and metallic but thick as analog at times, the DX7 was known for generating unique sounds still popular to this day. The DX7 was also a truly affordable programmable synth when it was first released. Almost every keyboardist bought one at the time making the DX7 one of the best selling synths of all time! It also came with MIDI which was brand new at the time – Sequential had already released the first MIDI synth, the Prophet 600. Roland had just released the JX-3P with very basic MIDI implementation, and wouldn’t get around to adding full MIDI for another year with the Juno-106, and it would be three years before Roland can counter the popularity of the DX7 with a digital synth of their own, the D-50.

The DX7 has been used by the Crystal Method, Kraftwerk, Underworld, Orbital, BT, Talking Heads, Brian Eno, Tony Banks, Mike Lindup of Level 42, Jan Hammer, Roger Hodgson, Teddy Riley, Brian Eno, T Lavitz of the Dregs, Sir George Martin, Supertramp, Phil Collins, Stevie Wonder, Daryl Hall, Steve Winwood, Scritti Politti, Babyface, Peter-John Vettese, Depeche Mode, D:Ream, Les Rhytmes Digital, Front 242, U2, A-Ha, Enya, The Cure, Astral Projection, Fluke, Kitaro, Vangelis, Elton John, James Horner, Toto, Donald Fagen, Michael McDonald, Chick Corea, Level 42, Queen, Yes, Michael Boddicker, Julian Lennon, Jean-Michel Jarre, Sneaker Pimps, Lynyrd Skynyrd, Greg Phillanganes, Jerry Goldsmith, Jimmy Edgar, Beastie Boys, Stabbing Westward and Herbie Hancock. Pretty impressive for just a partial listing!

67 x PATCHES FROM THE YAMAHA DX7

TOP QUALITY SOUNDFONTS SF2

TOTAL SIZE 178 MB

JUST LOAD AND PLAY YOUR YAMAHA DX7 SOUNDFONTS !

When purchasing your YAMAHA DX7 SOUNDFONTS you wont need to go through the hassle of having to drag & drop your
samples into your sampler, our samples come in a SF2, this means, you can just load
the AMAHA DX7  patches straight into your sampler.

Soundfonts (SF2)?

A SoundFont is a brand name that collectively refers to a file format and associated technology designed
to bridge the gap between recorded and synthesized audio, especially for the purposes of computer music
composition.

YAMAHA DX7 SOUNDFONTS can work with these samplers: There are also more..see “Sampler Compatibility in our menu”

* Audigy/SBLive!
* Reason NN-XT
* Kontakt
* Halion
* EXS-24
* VSampler
* Gigasampler – Gigastudio
Orion
* FL Studio
* Live synth Pro
* SFZ Sampler

All our sample packs are royalty-free, so you can use our samples for commercial use.

“But we prohibit you to produce copies or reproductions of the work and to sell those copies”

All the Soundfont Samplers In Althabetical Order:

Ableton Live
Awave Studio
Battery from Native Instruments
Bismark BS-1
CSound
Cakewalk Products
Creative Labs SoundBlaster Sound Cards
Cubase from Steinberg
EXS24 from Apple/Emagic
Emulator X from EMU
Finale from Coda
FL Studio / Fruity Loops from Image-Line
Garage Band from Apple
GigaStudio / GigaSampler
HALion from Steinberg
Home Studio from Cakewalk
Kontakt from Native Instruments
LiveSynth Pro
Logic from Apple (with EXS24 Sampler)
Mixman Studio Pro from Mixman
QuickTime 5 from Apple
Reason (NNXT Sampler)
Recycle from Propellarheads
Sonar from Cakwalk
Translator from Rubber Chicken
Unity DS-1 from Bitheadz
Vsampler from Maz Sound Tools

Why Would I Want To Use The YAMAHA DX7 SOUNDFONTS Format Over The Other Types Of Sound Formats Available?

Imagine being able to share a MIDI file, complete with your own custom sound sets. With SoundFont
technology, the world can hear your music exactly the way you intended! External musical instruments
(i.e., synthesizers and samplers) can be expensive and cumbersome for the amateur musician. Software
synthesizers and samplers can drain your system’s resources, especially when using more professional
grade musical creation tools. Because SoundFont technology is hardware accelerated by the PCI-based
Sound Blaster Live! and Audigy series of sound cards, it only needs to use your computer’s RAM.
Therefore, you can use the full power of your processor for making great music YAMAHA DX7 !